PROJECTS
In Roth, Bernhard Gál, Austrian composer and PI of AUDIO GHOSTS, focuses on the existing acoustic properties of the SP·CE listening gallery: small, often unheard sound events that unconsciously define the auditory space of the sound lab and thus serve as the sonic framework of any listening experience on site. […]

One central part of the AUDIO GHOSTS project is inviting guest artists to engage in individual artistic research, building upon our established models to generate new, tacit knowledge about space-related psychoacoustic phenomena in sound installations. By combining artistic, psychoacoustic, sociological, and technological expertise, this case study explores how auditory illusions can inspire and structure compositional approaches, particularly within non-narrative time structures, to better adapt to the individualized nature of spatial listening. […]

